Cigua
Film concept
A feminist reimagining of Siguanaba where folklore becomes a witness to colonial violence and memory travels across generations.
Media
I’m drawn to stories where history hides in plain sight — where myth, memory, and power collide, and the truth arrives slowly.
Filmmaker's Manifesto
I’m drawn to stories where history hides in plain sight.
Stories where something feels slightly wrong long before anyone can explain why. Where a character begins to sense the world around them is incomplete — and the truth reveals itself slowly, piece by piece.
I’m interested in cinema that moves like memory: atmospheric, patient, and layered.
Stories where folklore and history collide. Where myth carries the weight of survival. Where systems of power leave echoes in the present.
The kinds of stories I want to make are not only about what happened. They are about what was hidden.
About the silence between generations. About the stories that were buried, rewritten, or forgotten.
Sometimes the horror is supernatural. Sometimes it is historical. But the thread is always the same:
A moment when someone realizes the world they were given was never the whole story.
Some stories are entertainment. The ones I care about change how you see the world.
Current direction
Historical suspense
Folklore reinterpreted
Political memory
Atmosphere over exposition
Slow revelation
Thrillers with buried history
Real projects
Film concept
A feminist reimagining of Siguanaba where folklore becomes a witness to colonial violence and memory travels across generations.
Visual notes


